Our Tea and Literature event earlier today
Lady Livin and Lady Susannah
Lady Dalia and Lady Noirran
Stephen
Vanessa
A big thank you to Lady Susannah for hosting another Tea & Literature event at The D earlier today! We all need a little culture from time to time, don't we? Here's what was shared....
Readers:
Peregrine Jules: Reader #1
Mouse Moonwall: Reader #2
Dalia Fermi: Reader #3
Susannah Clary: Reader #4
We will do this round-robin style. I'll do a brief intro and then Pere will start us off. Be sure to credit the author - either at the beginning or the end of the poem. The next person should begin reading within a second or two so it flows.
If you have something to say about the poem/reading and/or author, feel free to do so - poetry goes fast and I don't think we quite have enough to fill an hour. Then again, we might! I don't know! We'll wing it and it will be great because how can it not be with you all helping?
In addition, I've deliberately mixed it up - so if there's a bit of a transition between say a sappy sonnet and a bitter invective ... say something! LOL
I would suggest toggling your mic off while not reading but do toggle it back on as the person before you is finishing so we don't miss the first word or two you say. Give it a second or two after you are done speaking before you toggle it back off.
Thanks again for helping out with this!! ♥
~ Susannah
(Reader #1)
Your Feet
by Pablo Neruda
When I cannot look at your face
I look at your feet.
Your feet of arched bone,
your hard little feet.
I know that they support you,
and that your sweet weight
rises upon them.
Your waist and your breasts,
the doubled purple
of your nipples,
the sockets of your eyes
that have just flown away,
your wide fruit mouth,
your red tresses,
my little tower.
But I love your feet
only because they walked
upon the earth and upon
the wind and upon the waters,
until they found me.
(Reader #2)
“I want to see you.
Know your voice.
Recognize you when you
first come 'round the corner.
Sense your scent when I come
into a room you've just left.
Know the lift of your heel,
the glide of your foot.
Become familiar with the way
you purse your lips
then let them part,
just the slightest bit,
when I lean in to your space
and kiss you.
I want to know the joy
of how you whisper
"more”
― Jalāl ad-Dīn Muhammad Rūmī (you can just say Rumi)
(Reader #3)
How do I love thee?
Elizabeth Barrett Browning
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with a passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints, --- I love thee with the breath,
Smiles, tears, of all my life! --- and, if God choose,
I shall but love thee better after death.
(Reader #4)
Superbly Situated
BY ROBERT HERSHON
you politely ask me not to die and i promise not to
right from the beginning—a relationship based on
good sense and thoughtfulness in little things
i would like to be loved for such simple attainments
as breathing regularly and not falling down too often
or because my eyes are brown or my father left-handed
and to be on the safe side i wouldn’t mind if somehow
i became entangled in your perception of admirable objects
so you might say to yourself: i have recently noticed
how superbly situated the empire state building is
how it looms up suddenly behind cemeteries and rivers
so far away you could touch it—therefore i love you
part of me fears that some moron is already plotting
to tear down the empire state building and replace it
with a block of staten island mother/daughter houses
just as part of me fears that if you love me for my cleanliness
i will grow filthy if you admire my elegant clothes
i’ll start wearing shirts with sailboats on them
but i have decided to become a public beach an opera house
a regularly scheduled flight—something that can’t help being
in the right place at the right time—come take your seat
we’ll raise the curtain fill the house start the engines
fly off into the sunrise, the spire of the empire state
the last sight on the horizon as the earth begins to curve
(Reader #1)
Symptoms of Love
by Robert Graves
Love is universal migraine,
A bright stain on the vision
Blotting out reason.
Symptoms of true love
Are leanness, jealousy,
Laggard dawns;
Are omens and nightmares -
Listening for a knock,
Waiting for a sign:
For a touch of her fingers
In a darkened room,
For a searching look.
Take courage, lover!
Could you endure such pain
At any hand but hers?
(Reader #2)
Dark Sonnet by Neil Gaiman
I don’t think that I’ve been in love as such
although I liked a few folk pretty well
Love must be vaster than my smiles or touch
for brave men died and empires rose and fell
for love, girls follow boys to foreign lands
and men have followed women into hell
In plays and poems someone understands
there’s something makes us more than blood and bone
And more than biological demands
for me love’s like the wind unseen, unknown
I see the trees are bending where it’s been
I know that it leaves wreckage where it’s blown
I really don’t know what I love you means
I think it means don’t leave me here alone
(Reader #3)
LESSONS OF THE HEART
by Glenn J.Morris, Ph.D
Love is learned, it cannot be taught
You can be loving, and lovely is in the eye as seen by the
lover
You can be a lover to those who love you
Without loving them, but it is hard
It requires discipline; it's a job; it gets old
It deadens the soul and the soul is the heart
And the heart hardens and forgets
You can love those who don't love you
But the service is empty
The devotion is wasted
And if the loved one is callous or cruel
It wounds the soul and the soul is the heart
And the heart hardens and forgets
You can love with a small "l" as small "l" love is better than
no love
But it requires being false to your self
Which isn't all bad
You learn to live with other people
But the soul doesn't grow
And he soul is the heart
And the heart withers and forgets
You can live with a handicapped heart mistaking dependence
for devotion, approval for love
You can try to force your self to forget what is to be
complete
Put your passion into your work
Or material status/wealth/muscles/whatever
So the soul doesn't forget passion
And the soul is the heart
And the heart hungers and almost forgets
You can find with electric recognition the love of your soul
Soul mate! ( what a shock to find the concept is real)
Who feels you at a distance
whose touch electrifies your blood
Whose eyes hold you locked
Whose voice delights your ears
Whose laughter awakens your heart
Awakens the heart
And the soul is the heart
And the heart softens
And will not
will not forget .
(Reader #4)
Sonnet XVII (I do not love you...)
by Pablo Neruda
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way
than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.
(Reader #1)
Long Distance II
by Tony Harrison
Though my mother was already two years dead
Dad kept her slippers warming by the gas,
put hot water bottles her side of the bed
and still went to renew her transport pass.
You couldn't just drop in. You had to phone.
He'd put you off an hour to give him time
to clear away her things and look alone
as though his still raw love were such a crime.
He couldn't risk my blight of disbelief
though sure that very soon he'd hear her key
scrape in the rusted lock and end his grief.
He knew she'd just popped out to get the tea.
I believe life ends with death, and that is all.
You haven't both gone shopping; just the same,
in my new black leather phone book there's your name
and the disconnected number I still call.
(Reader #2)
somewhere i have never travelled, gladly beyond
by E. E. Cummings
somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose
or if your wish be to close me, i and
my life will shut very beautifully ,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility:whose texture
compels me with the color of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain,has such small hands
(Reader #3)
"The way of love is not
a subtle argument.
The door there
is devastation.
Birds make great sky-circles
of their freedom.
How do they learn it?
They fall, and falling,
they're given wings.”
― Rumi
(Reader #4)
What to Say Upon Being Asked to Be Friends
BY JULIAN TALAMANTEZ BROLASKI
Why speak of hate, when I do bleed for love?
Not hate, my love, but Love doth bite my tongue
Till I taste stuff that makes my rhyming rough
So flatter I my fever for the one
For whom I inly mourn, though seem to shun.
A rose is arrows is eros, so what
If I confuse the shade that I’ve become
With winedark substance in a lover’s cup?
But stop my tonguely wound, I’ve bled enough.
If I be fair, or false, or freaked with fear
If I my tongue in lockèd box immure
Blame not me, for I am sick with love.
Yet would I be your friend most willingly
Since friendship would infect me killingly.
(Reader #1)
To Dorothy
by Marvin Bell
You are not beautiful, exactly.
You are beautiful, inexactly.
You let a weed grow by the mulberry
and a mulberry grow by the house.
So close, in the personal quiet
of a windy night, it brushes the wall
and sweeps away the day till we sleep.
A child said it, and it seemed true:
"Things that are lost are all equal."
But it isn't true. If I lost you,
the air wouldn't move, nor the tree grow.
Someone would pull the weed, my flower.
The quiet wouldn't be yours. If I lost you,
I'd have to ask the grass to let me sleep.
(Reader #2)
The Hush of the Very Good
BY TODD BOSS
You can tell by how he lists
to let her
kiss him, that the getting, as he gets it,
is good.
It’s good in the sweetly salty,
deeply thirsty way that a sea-fogged
rain is good after a summer-long bout
of inland drought.
And you know it
when you see it, don’t you? How it
drenches what’s dry, how the having
of it quenches.
There is a grassy inlet
where your ocean meets your land, a slip
that needs a certain kind of vessel,
and
when that shapely skiff skims in at last,
trimmed bright, mast lightly flagging
left and right,
then the long, lush reeds
of your longing part, and soft against
the hull of that bent wood almost im-
perceptibly brushes a luscious hush
the heart heeds helplessly—
the hush
of the very good.
(Reader #3)
Shakespeare's Sonnet
CXXX
My mistress' eyes are nothing like the sun;
Coral is far more red, than her lips red:
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound:
I grant I never saw a goddess go,
My mistress, when she walks, treads on the ground:
And yet by heaven, I think my love as rare,
As any she belied with false compare.
(Reader #4)
Waiting for This Story to End Before I Begin Another
BY JAN HELLER LEVI
All my stories are about being left,
all yours about leaving. So we should have known.
Should have known to leave well enough alone;
we knew, and we didn’t. You said let’s put
our cards on the table, your card
was your body, the table my bed, where we didn’t
get till 4 am, so tired from wanting
what we shouldn’t that when we finally found our heads,
we’d lost our minds. Love,I wanted to call you
so fast. But so slow you could taste each
letter licked into your particular and rose-like ear.
L, love, for let’s wait. O, for oh no, let’s not. V
for the precious v between your deep breasts
(and the virtue of your fingers
in the voluptuous center of me.)
Okay, E for enough.
Dawn broke, or shattered. Once we’ve made
the promises, it’s hard to add the prefix if. . . .
But not so wrong to try.
That means taking a lot of walks,
which neither of us is good at,
for different reasons, and nights up till 2
arguing whose reasons are better.
Time and numbers count a lot in this. 13
years my marriage. 5 years you my friend.
4th of July weekend when something that begins
in mist, by mistake (whose?), means too much
has to end. I think we need an abacus to get our love
on course, and one of us to oil the shining rods
so we can keep the crazy beads clicking,
clicking. It wasn’t a question
of a perfect fit. Theoretically,
it should be enough to say I left a man
for a woman (90% of the world is content
to leave it at that. Oh, lazy world) and when the woman
lost her nerve, I left
for greater concerns: when words like autonomy
were useful, I used them, I confess. So I get
what I deserve: a studio apartment he paid the rent on;
bookshelves up to the ceiling she drove
the screws for. And a skylight I sleep alone
beneath, and two shiny quarters in my pocket
to call one, then the other, or to call one
twice. Once, twice, I threatened to leave him—
remember? Now that I’ve done it, he says
he doesn’t. I’m in a phonebooth at the corner of Bank
and Greenwich; not a booth, exactly,
but two sheets of glass to shiver between.
This is called being street-smart: dialing
a number that you know won’t be answered,
but the message you leave leaves proof that you tried.
And this, my two dearly beloveds, is this called
hedging your bets? I fish out my other
coin, turn it over in my fingers, press
it into the slot. Hold it there. Let it drop.
(Reader #1)
Aedh wishes for the Cloths of Heaven
by W. B. Yeats
Had I the heavens' embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half-light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.
(Reader #2)
The Fire Cycle
BY ZACHARY SCHOMBURG
There are trees and they are on fire. There are hummingbirds and they are on fire. There are graves and they are on fire and the things coming out of the graves are on fire. The house you grew up in is on fire. There is a gigantic trebuchet on fire on the edge of a crater and the crater is on fire. There is a complex system of tunnels deep underneath the surface with only one entrance and one exit and the entire system is filled with fire. There is a wooden cage we're trapped in, too large to see, and it is on fire. There are jaguars on fire. Wolves. Spiders. Wolf-spiders on fire. If there were people. If our fathers were alive. If we had a daughter. Fire to the edges. Fire in the river beds. Fire between the mattresses of the bed you were born in. Fire in your mother's belly. There is a little boy wearing a fire shirt holding a baby lamb. There is a little girl in a fire skirt asking if she can ride the baby lamb like a horse. There is you on top of me with thighs of fire while a hot red fog hovers in your hair. There is me on top of you wearing a fire shirt and then pulling the fire shirt over my head and tossing it like a fireball through the fog at a new kind of dinosaur. There are meteorites disintegrating in the atmosphere just a few thousand feet above us and tiny fireballs are falling down around us, pooling around us, forming a kind of fire lake which then forms a kind of fire cloud. There is this feeling I get when I am with you. There is our future house burning like a star on the hill. There is our dark flickering shadow. There is my hand on fire in your hand on fire, my body on fire above your body on fire, our tongues made of ash. We are rocks on a distant and uninhabitable planet. We have our whole life ahead of us.
(Reader #3)
Food of Love
BY CAROLYN KIZER
Eating is touch carried to the bitter end.
Samuel Butler II
I’m going to murder you with love;
I’m going to suffocate you with embraces;
I’m going to hug you, bone by bone,
Till you’re dead all over.
Then I will dine on your delectable marrow.
You will become my personal Sahara;
I’ll sun myself in you, then with one swallow
Drain your remaining brackish well.
With my female blade I’ll carve my name
In your most aspiring palm
Before I chop it down.
Then I’ll inhale your last oasis whole.
But in the total desert you become
You’ll see me stretch, horizon to horizon,
Opulent mirage!
Wisteria balconies dripping cyclamen.
Vistas ablaze with crystal, laced in gold.
So you will summon each dry grain of sand
And move toward me in undulating dunes
Till you arrive at sudden ultramarine:
A Mediterranean to stroke your dusty shores;
Obstinate verdure, creeping inland, fast renudes
Your barrens; succulents spring up everywhere,
Surprising life! And I will be that green.
When you are fed and watered, flourishing
With shoots entwining trellis, dome, and spire,
Till you are resurrected field in bloom,
I will devour you, my natural food,
My host, my final supper on the earth,
And you’ll begin to die again.
(Reader #4)
i carry your heart with me (i carry it in
my heart) i am never without it (anywhere
i go you go, my dear; and whatever is done
by only me is your doing, my darling)
i fear
no fate (for you are my fate, my sweet) i want
no world (for beautiful you are my world, my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life; which grows
higher than the soul can hope or mind can hide)
and this is the wonder that’s keeping the stars apart
i carry your heart (i carry it in my heart)
~e. e. cummings
(Reader #1)
Sonnet 18, by William Shakespeare
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed,
And every fair from fair sometime declines,
By chance, or nature's changing course untrimmed:
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow'st,
Nor shall death brag thou wander'st in his shade,
When in eternal lines to time thou grow'st,
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.
(Reader #2)
Taking Off Emily Dickinson's Clothes
By Billy Collins
First, her tippet made of tulle,
easily lifted off her shoulders and laid
on the back of a wooden chair.
And her bonnet,
the bow undone with a light forward pull.
Then the long white dress, a more
complicated matter with mother-of-pearl
buttons down the back,
so tiny and numerous that it takes forever
before my hands can part the fabric,
like a swimmer's dividing water,
and slip inside.
You will want to know
that she was standing
by an open window in an upstairs bedroom,
motionless, a little wide-eyed,
looking out at the orchard below,
the white dress puddled at her feet
on the wide-board, hardwood floor.
The complexity of women's undergarments
in nineteenth-century America
is not to be waved off,
and I proceeded like a polar explorer
through clips, clasps, and moorings,
catches, straps, and whalebone stays,
sailing toward the iceberg of her nakedness.
Later, I wrote in a notebook
it was like riding a swan into the night,
but, of course, I cannot tell you everything -
the way she closed her eyes to the orchard,
how her hair tumbled free of its pins,
how there were sudden dashes
whenever we spoke.
What I can tell you is
it was terribly quiet in Amherst
that Sabbath afternoon,
nothing but a carriage passing the house,
a fly buzzing in a windowpane.
So I could plainly hear her inhale
when I undid the very top
hook-and-eye fastener of her corset
and I could hear her sigh when finally it was unloosed,
the way some readers sigh when they realize
that Hope has feathers,
that reason is a plank,
that life is a loaded gun
that looks right at you with a yellow eye.
(Reader #3)
The intellectual is always showing off,
the lover is always getting lost.
The intellectual runs away.
afraid of drowning;
the whole business of love
is to drown in the sea.
Intellectuals plan their repose;
lovers are ashamed to rest.
The lover is always alone.
even surrounded by people;
like water and oil, he remains apart.
The man who goes to the trouble
of giving advice to a lover
get nothing. He's mocked by passion.
Love is like musk. It attracts attention.
Love is a tree, and the lovers are its shade.
~Rumi
(Reader #4)
Ode To Wine
Pablo Neruda
Day-colored wine,
night-colored wine,
wine with purple feet
or wine with topaz blood,
wine,
starry child
of earth,
wine, smooth
as a golden sword,
soft
as lascivious velvet,
wine, spiral-seashelled
and full of wonder,
amorous,
marine;
never has one goblet contained you,
one song, one man,
you are choral, gregarious,
at the least, you must be shared.
At times
you feed on mortal
memories;
your wave carries us
from tomb to tomb,
stonecutter of icy sepulchers,
and we weep
transitory tears;
your
glorious
spring dress
is different,
blood rises through the shoots,
wind incites the day,
nothing is left
of your immutable soul.
Wine
stirs the spring, happiness
bursts through the earth like a plant,
walls crumble,
and rocky cliffs,
chasms close,
as song is born.
A jug of wine, and thou beside me
in the wilderness,
sang the ancient poet.
Let the wine pitcher
add to the kiss of love its own.
My darling, suddenly
the line of your hip
becomes the brimming curve
of the wine goblet,
your breast is the grape cluster,
your nipples are the grapes,
the gleam of spirits lights your hair,
and your navel is a chaste seal
stamped on the vessel of your belly,
your love an inexhaustible
cascade of wine,
light that illuminates my senses,
the earthly splendor of life.
But you are more than love,
the fiery kiss,
the heat of fire,
more than the wine of life;
you are
the community of man,
translucency,
chorus of discipline,
abundance of flowers.
I like on the table,
when we're speaking,
the light of a bottle
of intelligent wine.
Drink it,
and remember in every
drop of gold,
in every topaz glass,
in every purple ladle,
that autumn labored
to fill the vessel with wine;
and in the ritual of his office,
let the simple man remember
to think of the soil and of his duty,
to propagate the canticle of the wine.
Readers:
Peregrine Jules: Reader #1
Mouse Moonwall: Reader #2
Dalia Fermi: Reader #3
Susannah Clary: Reader #4
We will do this round-robin style. I'll do a brief intro and then Pere will start us off. Be sure to credit the author - either at the beginning or the end of the poem. The next person should begin reading within a second or two so it flows.
If you have something to say about the poem/reading and/or author, feel free to do so - poetry goes fast and I don't think we quite have enough to fill an hour. Then again, we might! I don't know! We'll wing it and it will be great because how can it not be with you all helping?
In addition, I've deliberately mixed it up - so if there's a bit of a transition between say a sappy sonnet and a bitter invective ... say something! LOL
I would suggest toggling your mic off while not reading but do toggle it back on as the person before you is finishing so we don't miss the first word or two you say. Give it a second or two after you are done speaking before you toggle it back off.
Thanks again for helping out with this!! ♥
~ Susannah
(Reader #1)
Your Feet
by Pablo Neruda
When I cannot look at your face
I look at your feet.
Your feet of arched bone,
your hard little feet.
I know that they support you,
and that your sweet weight
rises upon them.
Your waist and your breasts,
the doubled purple
of your nipples,
the sockets of your eyes
that have just flown away,
your wide fruit mouth,
your red tresses,
my little tower.
But I love your feet
only because they walked
upon the earth and upon
the wind and upon the waters,
until they found me.
(Reader #2)
“I want to see you.
Know your voice.
Recognize you when you
first come 'round the corner.
Sense your scent when I come
into a room you've just left.
Know the lift of your heel,
the glide of your foot.
Become familiar with the way
you purse your lips
then let them part,
just the slightest bit,
when I lean in to your space
and kiss you.
I want to know the joy
of how you whisper
"more”
― Jalāl ad-Dīn Muhammad Rūmī (you can just say Rumi)
(Reader #3)
How do I love thee?
Elizabeth Barrett Browning
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with a passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints, --- I love thee with the breath,
Smiles, tears, of all my life! --- and, if God choose,
I shall but love thee better after death.
(Reader #4)
Superbly Situated
BY ROBERT HERSHON
you politely ask me not to die and i promise not to
right from the beginning—a relationship based on
good sense and thoughtfulness in little things
i would like to be loved for such simple attainments
as breathing regularly and not falling down too often
or because my eyes are brown or my father left-handed
and to be on the safe side i wouldn’t mind if somehow
i became entangled in your perception of admirable objects
so you might say to yourself: i have recently noticed
how superbly situated the empire state building is
how it looms up suddenly behind cemeteries and rivers
so far away you could touch it—therefore i love you
part of me fears that some moron is already plotting
to tear down the empire state building and replace it
with a block of staten island mother/daughter houses
just as part of me fears that if you love me for my cleanliness
i will grow filthy if you admire my elegant clothes
i’ll start wearing shirts with sailboats on them
but i have decided to become a public beach an opera house
a regularly scheduled flight—something that can’t help being
in the right place at the right time—come take your seat
we’ll raise the curtain fill the house start the engines
fly off into the sunrise, the spire of the empire state
the last sight on the horizon as the earth begins to curve
(Reader #1)
Symptoms of Love
by Robert Graves
Love is universal migraine,
A bright stain on the vision
Blotting out reason.
Symptoms of true love
Are leanness, jealousy,
Laggard dawns;
Are omens and nightmares -
Listening for a knock,
Waiting for a sign:
For a touch of her fingers
In a darkened room,
For a searching look.
Take courage, lover!
Could you endure such pain
At any hand but hers?
(Reader #2)
Dark Sonnet by Neil Gaiman
I don’t think that I’ve been in love as such
although I liked a few folk pretty well
Love must be vaster than my smiles or touch
for brave men died and empires rose and fell
for love, girls follow boys to foreign lands
and men have followed women into hell
In plays and poems someone understands
there’s something makes us more than blood and bone
And more than biological demands
for me love’s like the wind unseen, unknown
I see the trees are bending where it’s been
I know that it leaves wreckage where it’s blown
I really don’t know what I love you means
I think it means don’t leave me here alone
(Reader #3)
LESSONS OF THE HEART
by Glenn J.Morris, Ph.D
Love is learned, it cannot be taught
You can be loving, and lovely is in the eye as seen by the
lover
You can be a lover to those who love you
Without loving them, but it is hard
It requires discipline; it's a job; it gets old
It deadens the soul and the soul is the heart
And the heart hardens and forgets
You can love those who don't love you
But the service is empty
The devotion is wasted
And if the loved one is callous or cruel
It wounds the soul and the soul is the heart
And the heart hardens and forgets
You can love with a small "l" as small "l" love is better than
no love
But it requires being false to your self
Which isn't all bad
You learn to live with other people
But the soul doesn't grow
And he soul is the heart
And the heart withers and forgets
You can live with a handicapped heart mistaking dependence
for devotion, approval for love
You can try to force your self to forget what is to be
complete
Put your passion into your work
Or material status/wealth/muscles/whatever
So the soul doesn't forget passion
And the soul is the heart
And the heart hungers and almost forgets
You can find with electric recognition the love of your soul
Soul mate! ( what a shock to find the concept is real)
Who feels you at a distance
whose touch electrifies your blood
Whose eyes hold you locked
Whose voice delights your ears
Whose laughter awakens your heart
Awakens the heart
And the soul is the heart
And the heart softens
And will not
will not forget .
(Reader #4)
Sonnet XVII (I do not love you...)
by Pablo Neruda
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way
than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.
(Reader #1)
Long Distance II
by Tony Harrison
Though my mother was already two years dead
Dad kept her slippers warming by the gas,
put hot water bottles her side of the bed
and still went to renew her transport pass.
You couldn't just drop in. You had to phone.
He'd put you off an hour to give him time
to clear away her things and look alone
as though his still raw love were such a crime.
He couldn't risk my blight of disbelief
though sure that very soon he'd hear her key
scrape in the rusted lock and end his grief.
He knew she'd just popped out to get the tea.
I believe life ends with death, and that is all.
You haven't both gone shopping; just the same,
in my new black leather phone book there's your name
and the disconnected number I still call.
(Reader #2)
somewhere i have never travelled, gladly beyond
by E. E. Cummings
somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose
or if your wish be to close me, i and
my life will shut very beautifully ,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility:whose texture
compels me with the color of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain,has such small hands
(Reader #3)
"The way of love is not
a subtle argument.
The door there
is devastation.
Birds make great sky-circles
of their freedom.
How do they learn it?
They fall, and falling,
they're given wings.”
― Rumi
(Reader #4)
What to Say Upon Being Asked to Be Friends
BY JULIAN TALAMANTEZ BROLASKI
Why speak of hate, when I do bleed for love?
Not hate, my love, but Love doth bite my tongue
Till I taste stuff that makes my rhyming rough
So flatter I my fever for the one
For whom I inly mourn, though seem to shun.
A rose is arrows is eros, so what
If I confuse the shade that I’ve become
With winedark substance in a lover’s cup?
But stop my tonguely wound, I’ve bled enough.
If I be fair, or false, or freaked with fear
If I my tongue in lockèd box immure
Blame not me, for I am sick with love.
Yet would I be your friend most willingly
Since friendship would infect me killingly.
(Reader #1)
To Dorothy
by Marvin Bell
You are not beautiful, exactly.
You are beautiful, inexactly.
You let a weed grow by the mulberry
and a mulberry grow by the house.
So close, in the personal quiet
of a windy night, it brushes the wall
and sweeps away the day till we sleep.
A child said it, and it seemed true:
"Things that are lost are all equal."
But it isn't true. If I lost you,
the air wouldn't move, nor the tree grow.
Someone would pull the weed, my flower.
The quiet wouldn't be yours. If I lost you,
I'd have to ask the grass to let me sleep.
(Reader #2)
The Hush of the Very Good
BY TODD BOSS
You can tell by how he lists
to let her
kiss him, that the getting, as he gets it,
is good.
It’s good in the sweetly salty,
deeply thirsty way that a sea-fogged
rain is good after a summer-long bout
of inland drought.
And you know it
when you see it, don’t you? How it
drenches what’s dry, how the having
of it quenches.
There is a grassy inlet
where your ocean meets your land, a slip
that needs a certain kind of vessel,
and
when that shapely skiff skims in at last,
trimmed bright, mast lightly flagging
left and right,
then the long, lush reeds
of your longing part, and soft against
the hull of that bent wood almost im-
perceptibly brushes a luscious hush
the heart heeds helplessly—
the hush
of the very good.
(Reader #3)
Shakespeare's Sonnet
CXXX
My mistress' eyes are nothing like the sun;
Coral is far more red, than her lips red:
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound:
I grant I never saw a goddess go,
My mistress, when she walks, treads on the ground:
And yet by heaven, I think my love as rare,
As any she belied with false compare.
(Reader #4)
Waiting for This Story to End Before I Begin Another
BY JAN HELLER LEVI
All my stories are about being left,
all yours about leaving. So we should have known.
Should have known to leave well enough alone;
we knew, and we didn’t. You said let’s put
our cards on the table, your card
was your body, the table my bed, where we didn’t
get till 4 am, so tired from wanting
what we shouldn’t that when we finally found our heads,
we’d lost our minds. Love,I wanted to call you
so fast. But so slow you could taste each
letter licked into your particular and rose-like ear.
L, love, for let’s wait. O, for oh no, let’s not. V
for the precious v between your deep breasts
(and the virtue of your fingers
in the voluptuous center of me.)
Okay, E for enough.
Dawn broke, or shattered. Once we’ve made
the promises, it’s hard to add the prefix if. . . .
But not so wrong to try.
That means taking a lot of walks,
which neither of us is good at,
for different reasons, and nights up till 2
arguing whose reasons are better.
Time and numbers count a lot in this. 13
years my marriage. 5 years you my friend.
4th of July weekend when something that begins
in mist, by mistake (whose?), means too much
has to end. I think we need an abacus to get our love
on course, and one of us to oil the shining rods
so we can keep the crazy beads clicking,
clicking. It wasn’t a question
of a perfect fit. Theoretically,
it should be enough to say I left a man
for a woman (90% of the world is content
to leave it at that. Oh, lazy world) and when the woman
lost her nerve, I left
for greater concerns: when words like autonomy
were useful, I used them, I confess. So I get
what I deserve: a studio apartment he paid the rent on;
bookshelves up to the ceiling she drove
the screws for. And a skylight I sleep alone
beneath, and two shiny quarters in my pocket
to call one, then the other, or to call one
twice. Once, twice, I threatened to leave him—
remember? Now that I’ve done it, he says
he doesn’t. I’m in a phonebooth at the corner of Bank
and Greenwich; not a booth, exactly,
but two sheets of glass to shiver between.
This is called being street-smart: dialing
a number that you know won’t be answered,
but the message you leave leaves proof that you tried.
And this, my two dearly beloveds, is this called
hedging your bets? I fish out my other
coin, turn it over in my fingers, press
it into the slot. Hold it there. Let it drop.
(Reader #1)
Aedh wishes for the Cloths of Heaven
by W. B. Yeats
Had I the heavens' embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half-light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.
(Reader #2)
The Fire Cycle
BY ZACHARY SCHOMBURG
There are trees and they are on fire. There are hummingbirds and they are on fire. There are graves and they are on fire and the things coming out of the graves are on fire. The house you grew up in is on fire. There is a gigantic trebuchet on fire on the edge of a crater and the crater is on fire. There is a complex system of tunnels deep underneath the surface with only one entrance and one exit and the entire system is filled with fire. There is a wooden cage we're trapped in, too large to see, and it is on fire. There are jaguars on fire. Wolves. Spiders. Wolf-spiders on fire. If there were people. If our fathers were alive. If we had a daughter. Fire to the edges. Fire in the river beds. Fire between the mattresses of the bed you were born in. Fire in your mother's belly. There is a little boy wearing a fire shirt holding a baby lamb. There is a little girl in a fire skirt asking if she can ride the baby lamb like a horse. There is you on top of me with thighs of fire while a hot red fog hovers in your hair. There is me on top of you wearing a fire shirt and then pulling the fire shirt over my head and tossing it like a fireball through the fog at a new kind of dinosaur. There are meteorites disintegrating in the atmosphere just a few thousand feet above us and tiny fireballs are falling down around us, pooling around us, forming a kind of fire lake which then forms a kind of fire cloud. There is this feeling I get when I am with you. There is our future house burning like a star on the hill. There is our dark flickering shadow. There is my hand on fire in your hand on fire, my body on fire above your body on fire, our tongues made of ash. We are rocks on a distant and uninhabitable planet. We have our whole life ahead of us.
(Reader #3)
Food of Love
BY CAROLYN KIZER
Eating is touch carried to the bitter end.
Samuel Butler II
I’m going to murder you with love;
I’m going to suffocate you with embraces;
I’m going to hug you, bone by bone,
Till you’re dead all over.
Then I will dine on your delectable marrow.
You will become my personal Sahara;
I’ll sun myself in you, then with one swallow
Drain your remaining brackish well.
With my female blade I’ll carve my name
In your most aspiring palm
Before I chop it down.
Then I’ll inhale your last oasis whole.
But in the total desert you become
You’ll see me stretch, horizon to horizon,
Opulent mirage!
Wisteria balconies dripping cyclamen.
Vistas ablaze with crystal, laced in gold.
So you will summon each dry grain of sand
And move toward me in undulating dunes
Till you arrive at sudden ultramarine:
A Mediterranean to stroke your dusty shores;
Obstinate verdure, creeping inland, fast renudes
Your barrens; succulents spring up everywhere,
Surprising life! And I will be that green.
When you are fed and watered, flourishing
With shoots entwining trellis, dome, and spire,
Till you are resurrected field in bloom,
I will devour you, my natural food,
My host, my final supper on the earth,
And you’ll begin to die again.
(Reader #4)
i carry your heart with me (i carry it in
my heart) i am never without it (anywhere
i go you go, my dear; and whatever is done
by only me is your doing, my darling)
i fear
no fate (for you are my fate, my sweet) i want
no world (for beautiful you are my world, my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life; which grows
higher than the soul can hope or mind can hide)
and this is the wonder that’s keeping the stars apart
i carry your heart (i carry it in my heart)
~e. e. cummings
(Reader #1)
Sonnet 18, by William Shakespeare
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed,
And every fair from fair sometime declines,
By chance, or nature's changing course untrimmed:
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow'st,
Nor shall death brag thou wander'st in his shade,
When in eternal lines to time thou grow'st,
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.
(Reader #2)
Taking Off Emily Dickinson's Clothes
By Billy Collins
First, her tippet made of tulle,
easily lifted off her shoulders and laid
on the back of a wooden chair.
And her bonnet,
the bow undone with a light forward pull.
Then the long white dress, a more
complicated matter with mother-of-pearl
buttons down the back,
so tiny and numerous that it takes forever
before my hands can part the fabric,
like a swimmer's dividing water,
and slip inside.
You will want to know
that she was standing
by an open window in an upstairs bedroom,
motionless, a little wide-eyed,
looking out at the orchard below,
the white dress puddled at her feet
on the wide-board, hardwood floor.
The complexity of women's undergarments
in nineteenth-century America
is not to be waved off,
and I proceeded like a polar explorer
through clips, clasps, and moorings,
catches, straps, and whalebone stays,
sailing toward the iceberg of her nakedness.
Later, I wrote in a notebook
it was like riding a swan into the night,
but, of course, I cannot tell you everything -
the way she closed her eyes to the orchard,
how her hair tumbled free of its pins,
how there were sudden dashes
whenever we spoke.
What I can tell you is
it was terribly quiet in Amherst
that Sabbath afternoon,
nothing but a carriage passing the house,
a fly buzzing in a windowpane.
So I could plainly hear her inhale
when I undid the very top
hook-and-eye fastener of her corset
and I could hear her sigh when finally it was unloosed,
the way some readers sigh when they realize
that Hope has feathers,
that reason is a plank,
that life is a loaded gun
that looks right at you with a yellow eye.
(Reader #3)
The intellectual is always showing off,
the lover is always getting lost.
The intellectual runs away.
afraid of drowning;
the whole business of love
is to drown in the sea.
Intellectuals plan their repose;
lovers are ashamed to rest.
The lover is always alone.
even surrounded by people;
like water and oil, he remains apart.
The man who goes to the trouble
of giving advice to a lover
get nothing. He's mocked by passion.
Love is like musk. It attracts attention.
Love is a tree, and the lovers are its shade.
~Rumi
(Reader #4)
Ode To Wine
Pablo Neruda
Day-colored wine,
night-colored wine,
wine with purple feet
or wine with topaz blood,
wine,
starry child
of earth,
wine, smooth
as a golden sword,
soft
as lascivious velvet,
wine, spiral-seashelled
and full of wonder,
amorous,
marine;
never has one goblet contained you,
one song, one man,
you are choral, gregarious,
at the least, you must be shared.
At times
you feed on mortal
memories;
your wave carries us
from tomb to tomb,
stonecutter of icy sepulchers,
and we weep
transitory tears;
your
glorious
spring dress
is different,
blood rises through the shoots,
wind incites the day,
nothing is left
of your immutable soul.
Wine
stirs the spring, happiness
bursts through the earth like a plant,
walls crumble,
and rocky cliffs,
chasms close,
as song is born.
A jug of wine, and thou beside me
in the wilderness,
sang the ancient poet.
Let the wine pitcher
add to the kiss of love its own.
My darling, suddenly
the line of your hip
becomes the brimming curve
of the wine goblet,
your breast is the grape cluster,
your nipples are the grapes,
the gleam of spirits lights your hair,
and your navel is a chaste seal
stamped on the vessel of your belly,
your love an inexhaustible
cascade of wine,
light that illuminates my senses,
the earthly splendor of life.
But you are more than love,
the fiery kiss,
the heat of fire,
more than the wine of life;
you are
the community of man,
translucency,
chorus of discipline,
abundance of flowers.
I like on the table,
when we're speaking,
the light of a bottle
of intelligent wine.
Drink it,
and remember in every
drop of gold,
in every topaz glass,
in every purple ladle,
that autumn labored
to fill the vessel with wine;
and in the ritual of his office,
let the simple man remember
to think of the soil and of his duty,
to propagate the canticle of the wine.
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